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Mutiny on the Bounty (1935) — 7 Comments

  1. I was debating if I should watch movies I had already seen. I am happy I decided to refresh my memory… at least for now.

    At first look, Charles Laughton’s Henry VIII and Bligh are so different – one light and airy, the other heavy and dark; however, they were more similar than I originally thought. He was excellent in both parts, of course.

    I also had to review Spring Byington’s character. She was older than I thought she should be, so I checked her biography. Although I recognized her, I had a different actress in my head. Sheesh!

  2. I’m definitely re-watching everything as well, and I have found some surprises along the way as well.

  3. I have a question for you. Who would you have chosen for Best Actor? Victor McLaglen in The Informer would not have been my choice. He was dramatic, but I really don’t care for the movie.

    I have only read about Paul Muni in Black Fury.

    • I probably would have voted for Charles Laughton, although a “villain” is a very rare win in a leading actor category. I can only think of a few exceptions (Hannibal Lector, the Joker, Dr. Jekyll/Mr. Hyde, etc.). People greatly admire those performances, but there is less of an emotional attachment to vote for them if they’re evil.

  4. I am not sure how the Academy votes, but I would be inclined to vote for him as well – comparing his ability to be light in one film then dark in the next. Thank you.

  5. I seem to be enjoying all of these more the second time around.
    This is another “Wow!”. Historical accuracy be damned, this is a great story. Well written. Well cast. Well directed. And every bit of that $2,000,000.00 is up there on the screen. I’m amazed at the coverage that director Lloyd was able to get. This thing is really well edited. It moves like a much more contemporary film. And the process work is excellent. I was very rarely aware of when I was seeing location work and when I was on a set with rear screen work. There is money all over this.
    Laughton, well you just hate him. He’s unrelenting to the end. Excellent. Gable and Tone… excellent as well. You love these men. And every character actor throughout. I can’t call a single false moment to mind.
    And thank goodness Warner took the care that they did with it. It looks terrific. I wish Warner (or Sony) could have a crack at some other best pics that have gotten short shrift. And, hopefully, they’ll get their act together on the ones that are still missing in action (The Broadway Melody, Cimarron, The Great Ziegfeld, The Life Of Emile Zola, Around The World In Eighty Days). Some great films that are deserving of love.

    • The restoration on this is really fantastic, and I think it makes a difference in my overall impression. I remember not caring for “Wings” that much, having only seen terrible prints on TV with bad silent-movie scores, but Paramount’s restoration of it feels like another (much better) film.

      I love MGM’s Thalberg-era films, and “Mutiny on the Bounty” is among the very best.

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